DEHUMANIZACJA SZTUKI I INNE ESEJE PDF

Gazragore Art turns out to dehumanizaca a mysterious game of revealing and concealing meanings. We believe that comparison and analysis of these partly congruent, partly conflicting proposals may prove to be of cognitive value and to provide useful tools for the further study of contemporary art. The meaning dehymanizacja a work may be revealed if an effort is made to discover it. It is thus connected with the disappearance of the obviousness of communication and of methods for the manifestation of truth in works of art.

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Malale It is not our intention to pass judgments on the merits of each position. The meaning of the new art appeared, therefore, at the moment of recognition of the purely aesthetic value of the work. The end of traditional art irrevocably closed a certain chapter in the history of human artistic activity, but it also opened completely new horizons.

Programmatically, it assumes a departure from the dead canons of the past and the elevation of man above his human dimension, detaching him from reality by means of its conscious deformation. Student knows what is the relationship between humanities and culture Student discusses some problems in the field of contemporary aesthetics Student lists and describes the characteristics of contemporary art and its role in social communication.

Ortega y Gasset saw the new art as a kind of intellectual entertainment for selected individuals who undertook the solitary trouble of understanding it. The game concept reveals the processual and hypersubjective nature of the truth of art; it also points out that art is a communicative phenomenon that involves participation.

The essence of the art of the first decades of the twentieth century became, according to Ortega y Gasset, the phenomenon of dehumanisation he described. Click here to sign up. The crisis consists of a progressive, increasingly profound lack of understanding of art, artists, and works of art, which, by ceasing to be comprehensible, lose their vital human significance. Art had become a hermetic experience, accessible only to the chosen few.

Additional information registration calendar, class conductors, localization and schedules of classesmight be available in the USOSweb system: The festival concept also emphasises, above all, the exceptional possibilities of the integration of art: The polarisation of society and the negation of the unifying ideals of traditional art had therefore become the tangible results of the activity of contemporary artists.

Gadamer, Estetyka i hermeneutyka, p. Therefore, Ortega y Gasset wrote of two arts, radically different from each other, causing the rift between past and present to become enormous. On-line services of the University of Warsaw You are not logged in log in. These reflections revolve around the concept of crisis of art as it was understood by both thinkers. Contemporary aesthetic — selected issues The role of art in social communication Dilemmas of contemporary art: On this issue, Gadamer remains more cautious, encouraging us only to respond to the appeal, addressed to everyone, to participate in the world of art.

Remember me on this computer. Folia Scandinavica Posnaniensia Taking the trouble to understand it is indispensible, especially in view of the artistic phenomena that appeared after the period of the Great Avant-Garde. On-line services of the University of Warsaw. The new art had become an art for selected individuals, an elite game in which each player was on his own. But could art on such a basis preserve any cognitive value?

Contemporary art, by definition, divides society into those excluded from the world of art and dejumanizacja privileged participants. The summary of the views of Gadamer and Ortega y Gasset we have offered here is further evidence of the unlimited potential for the interpretation of contemporary phenomena in art.

The opening of the eseke horizon of art took place along with its autonomisation, implemented by Immanuel Kant, and today the horizon seems to be continuously expanding.

Becoming acquainted with the rules of the game of the new art was, for Ortega y Gasset, essential. Cichowicz introductionWarsawp.

Contemporary art was supposed to create new entities, aesthetic objects that lived in the objective space of the artistic world, which differed from physical and psychological j.

The basis of this radical social effect of art in the first decades of the twentieth century was, first and foremost, the break with tradition. Cichowicz introductionWarsaw Gadamer, Estetyka i hermeneutyka [Aesthetics and hermeneutics] in: Dehumanised art, according to Ortega y Dehujanizacja, also meant the flight of artists from forms reflecting life. Works of art connect people with one another and bind them in a common dialogue. Gadamer, Hans-Georg, Koniec sztuki?

What is more, aesthetics is not a separate field of knowledge, but is incorporated in the sphere of hermeneutics. Art invites us, in his view, to join an intellectual game of exploring dehumanised forms, beneath the surface of which there is no longer any room for the truth about the real world. Related Posts.

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Malale It is not our intention to pass judgments on the merits of each position. The meaning of the new art appeared, therefore, at the moment of recognition of the purely aesthetic value of the work. The end of traditional art irrevocably closed a certain chapter in the history of human artistic activity, but it also opened completely new horizons. Programmatically, it assumes a departure from the dead canons of the past and the elevation of man above his human dimension, detaching him from reality by means of its conscious deformation. Student knows what is the relationship between humanities and culture Student discusses some problems in the field of contemporary aesthetics Student lists and describes the characteristics of contemporary art and its role in social communication. Ortega y Gasset saw the new art as a kind of intellectual entertainment for selected individuals who undertook the solitary trouble of understanding it. The game concept reveals the processual and hypersubjective nature of the truth of art; it also points out that art is a communicative phenomenon that involves participation.

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DEHUMANIZACJA SZTUKI I INNE ESEJE PDF

Dagore Ortega y Gasset remains an intellectual elitist and stresses that this enriching experience of art is available only to a few. Works of art connect people with one another and bind them in a common dialogue. Thus, hermeneutics encompasses aesthetics. Gadamer, Estetyka i hermeneutyka, edeje. Truth in hermeneutics is dynamic and fluid, dztuki like man, who is a finite being, entangled in history, tradition, and events.

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Dehumanizacja sztuki i inne eseje

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